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Brecht, George

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Karel Appel burst onto the European art scene in 1949 in anexhibition titled Cobra at the Stedelijk Museum in Amsterdam. His work had then and has now a daring and vitality that keep it constantly fresh and appealing. Appel was a founder of the Cobra movement - so named because it brought together a group of revolutionary postwar artists from Copenhagen, Brussels, and Amsterdam. He has consistently held to a basic idea of the movement - "Painters write, writers paint" - and appearing here for the first time in English translation is a lively autobiographical sketch made up of his poems and journal entries. An extensive interview with the artist by the well-known European art critic Frédéric de Towarnicki is published in full.

Appel, Karel --- Andersen, Eric, --- Køpcke, Arthur, --- Brecht, George. --- Art

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Music --- muziekgeschiedenis --- Paik, Nam June --- Brecht, George --- Maciunas, Georg --- Young, La Monte

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Art --- installations [visual works] --- art [discipline] --- performance art --- Ulay --- Ambramovic, Marina --- Honegger, Gottfried --- Brecht, George --- Sanejouand, Jean-Michel --- Bijl, Guillaume

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Spoerri, Daniel --- Tinguely, Jean --- Paik, Nam June --- Beuys, Joseph --- Roth, Dieter --- Klein, Yves --- Brecht, George --- Dufrêne, François --- Filliou, Robert --- Hains, Raymond --- Higgins, Dick --- Køpcke, Arthur --- Villeglé, Jacques --- Maciunas, Georg --- Rotella, Mimmo --- Vostell, Wolf --- Arman --- Raysse, Martial --- Hamburger Kunsthalle